When the economic climate suffers, clients often develop a prudent bias regarding their video production spending. Understandable. Among the high-ticket line items subject to this budget slashing mentality often include 3d animation.
What had been a trendy technological tool that producers used to create a ?wow? factor during the critical opening moments of running time may have evolved into a cost-saving device when used judiciously.
Say what?
Most producers understand the value of animating, for example, the interior of a pulp vat where cameras simply couldn't exist. The logistical impossibility of attempting to pull off such an arduous task would be unmistakably foolish. But what might escape a novice video guru is the option of animating a complex activity involving a large video crew including multiple actors, extras and props. Add to that a plethora of pre-production time required to coordinate such an elaborate exhibition, and you have yourself a costly project.
Let's say you're re-enacting a specific battle scene from the Korean War for a documentary on the East Asian nation. What will we need to successfully demonstrate this historic event? For starters, you'll probably a hundred extras to go along with a half-dozen principal actors. Right away, we've eaten up a significant chunk of your finances. Each needs to be outfitted in period uniforms with matching firearms. You'll also need to scout for terrain that duplicates the Korean landscape. That will take some time. And of course you'll need a large production and creative crew to successfully choreograph and orchestrate this profoundly complicated scene.
See where I'm coming from?
But, if you were to animate this scene in 3d, you could reduce your cost by half or more. Gone are the actors, prop research and rental, scouting and location fees, along with a large creative and production crew. What's left is your producer, your animator and an audio engineer to Foley and mix the soundtrack. Granted, building, replicating and rendering a complex scene as described above if far more difficult than say, animating a logo. However, once your model is built and your movements minted, the rest is fairly easy. Multiple camera angles? No problem. Refining soldier movements after the fact? Much easier than if shot on video. Adding a flyover shot? Much less expensive than, well, undertaking an actual flyover.
Granted, the aforementioned scene may not be a staple among corporate video users. However, it clearly demonstrates how a budget-consuming video scene can become far more cost effective if replicated in 3d. And during times with an unstable economic climate, that could be the difference between an entire project happening. Or not.
About the Author:
If you're after a professional 3d 3d animation software that will allow you to create cutting-edge 3D animations and models easily and cannot afford big name animation software like Maya or 3D Max, then visit 3DMagix right now.
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